This past year, I've gone through my fare share of trouble when it comes it finding my place in this world. But if I've learned just one thing, it's that everything you do in life, no matter how mundane, is worth it so long as you do so with a long term goal in mind. Keep reading and I'll explain...Read More
I decided to launch my own Youtube channel, as well as the work that comes with it. What does it really take to manage a Youtube channel, and what are some of my favorite channels?Read More
This past weekend I went on an adventure and found myself lost and in the middle of nowhere. But I did it out of desire for one great photograph, and I had the time of my life.Read More
Preface: As a photographer (and any other photographer will surely understand this) I learn things as I go. The best way to get better at something is to make mistakes doing it. This blog series will address just that. The Lens Lessons Series will take problems, challenges, and lessons I endure throughout my gigs, tell you how I overcame them, and offer suggestions for how to avoid this problem in the future.
Photos in the Dark - Ahh, lightless photography. One of the first, yet important problems a photographer endures. Whoever you are, and whatever you're shooting, light is the most important thing for a photographer. In the wrong situations, without the right gear, taking photos in the dark becomes almost impossible.
I am here to tell you that usually there is a way to make it work!
Last night I was hired to shoot a sorority formal at a bar/club. Here was the situation: a low-light entry corridor with a "step and repeat" stand for the couples to pose in front of as they entered the party. They then proceeded into a pitch black, with the exception of some black lights, dance club. My job was to photograph tipsy and picky sorority girls while simultaneously making them look good. It was a sticky situation that pretty much set me up for crappy photos.
Tips for how I handled this scenario:
- Don't overreact. Think through the problem.
- Get out the external flash!
- Keep your lens on manual focus (auto focus won't work in the dark).
- When in doubt: Low shutter, low f-stop, high ISO
Don't overreact. Think through the problem.
This may seem elementary, but even the best photographers need a reminder sometimes. I pride myself for my composure, but when I was thrown into a dark and raging party with hundreds of college girls begging for their picture to be taken, my heartbeat quickened. Every few seconds a someone would tap my shoulder to get my attention. Photobombs were numerous. The level of patience was low. So I told myself to relax.
People love people who stay composed. Think about that well-dressed person you saw yesterday strutting their stuff down the street in a new tailored outfit. Remember how you thought, "Wow, that person has got their life together." You already have the good stigma of being a photographer backing you up, so fortify that with some confidence. Your photos will make this party last more than one night, so act that way. Run the show, tell people to wait their turn, and act like you know what you're doing. Doing this will allow you to focus on the light and not freak out.
Get out the external flash!
I can't speak higher about an external flash. You can pick up a decent one for $50, and it will make the difference. Ever notice those red eyes and greasy faces when you use the flash attached to your camera? With the external flash being farther away from your lens, it's almost impossible to get those red eyes and unattractive faces. What I like to do is point the flash straight up. By doing this, you are bouncing the light off the entire ceiling, and that softer, less dense light, is coming down on your subject. This eliminates the harsh light that you can see coming from a flash pointed at the subject.
But make sure you learn how to use your flash. When I bought my first flash, I tried to use it without learning how. I ended shooting all night with the flash not synced with the shutter, and my photos were useless. Learn how the different flash settings sync with the actual camera, and you will have beautifully lit photos.
Finally, don't use a high ISO setting. We will talk about ISO later in this post, but just trust me when I tell you not to use high ISO with a flash. People always think, "But it's dark, I need high ISO." Well, the room won't be dark when the flash goes off. Actually, it'll be lighter than it would be if all the lights were on. So keep the ISO down. You don't want super grainy and noisy photos.
Keep your lens on manual focus (auto focus doesn't work in the dark).
Have you ever tried to take a picture in low light situations and waited for the auto focus to work for 5, 10, even 15 seconds? Well you don't have that amount of time while shooting college kids, especially when there's hundreds of them. Here is a trick I like to use: go to a well lit area with a subject, such as a coat rack. Stand about as far away as you expect to be from the subjects that you are going to shoot in the party. Focus in on the coat rack manually, and keep the lens there. This way, when you enter the pitch black room, your lens will be already focused and you can snap a photo in less than a couple seconds.
This doesn't always work, and it isn't ideal. You may see a shot farther away from you that you can't take because your focus isn't set up for that shot. If that is the case, you could try to fiddle with auto focus, then go reset your focus with the coat rack. This idea is better than nothing for me.
When in doubt: Low shutter, low f-stop, high ISO.
Don't have a flash? Don't panic. You can make it work. If it's pitch black, there isn't too much to do. But if there is minimal light, you can get some photos. This last tip will be basic for experienced photographers, but it is an extremely helpful one to those who are beginning as a photog.
Shutter Speed - It's basically how long your sensor is exposed to the light in front of you. The longer you open the shutter, the more light you let in, and the clearer your photos. The ideal shutter speed is slow enough to let in light, but fast enough that your image isn't blown out with light. Your goal for a low light party/concert is to find a speed that is slow enough to let in some light, but fast enough that your subjects aren't blurred.
Aperture (f-stop) - If you don't know what this is, all I'll tell you is it affects how blurred out the background of your image is. For a more elaborate explanation, look it up. Sorry but I'm not here to explain it. I will say that the lower the f-stop, the more light your are letting in. So, you guessed it, keep it low. More light is good!
ISO - We talked a bit about it above, and I told you to keep it low. Well, if you don't have a flash, you're going to have to bump it up. A high ISO will brighten your image. In the days of film, ISO was the type of film you used. Certain film turned out lighter than others. What's the problem with ISO? I wondered the same thing. Basically, it makes your images grainy and noisy. That means the image is unclear. It looks like the image was printed on sand, not paper. That's no good right? Yea I know. But sometimes you can't help it. The only thing you can do at that point is save your photo in post editing.
So there you have it, a few short tips for getting good photos in the dark. I wanted to share these tips because they are lessons I learned early on, and I hope I can help at least a few of you next time you shoot in the dark. So remember:
Calm down! Act like you own the place. They hired you for a reason!
Use a flash! It's the simplest answer. What's the best way to tackle a dark situation? Brighten it up yourself!
Use the manual focus. It can be annoying and doesn't always work, but it's better than nothing. I used it last night, and I got some good results.
Remember the faithful trio: Shutter, aperture, ISO. You need to know them if you want to be a photographer, and they are your best friend in low light situations.
With that, thanks for the read.
The first blog post of many to come...
A few short years ago I was among the mass of college students who had no idea what they wanted to do with their lives. Nothing they had already done or accomplished had sparked any sort of inspiration or passion that would ultimately lead to their desired career path. That was me: an 18 year-old who was asked to decide what his future would be, even though his interests were almost as unclear as that question.
Whilst popping in and out of majors faster than I could pop the zits on my face, I stumbled upon photography (ultimately by accident). As cliche as it sounds, I would correct that last line and say that photography chose me. I didn't go looking for it. It snuck its way through the wide open doors of my life and slapped me in my face.
I don't know what to attribute that slap to. There was a sequence of events, so I will attribute them as a whole.
- I've always been a creator; I never want to work for someone, but rather, make something that I can call 100% mine. Whether I am writing, photographing, or drawing, the end result is all me.
- Apparently I have a creative eye for a good composition. Even as I took ridiculous candids of my friends at a college party using my iPhone, I found myself checking the rule of thirds, adjusting the lighting, getting the angle, and finding the composition that would result in nothing short of a perfect drunken photo.
- I stumbled upon an old Canon and began fooling around with it. To my surprise I had fun. To my even greater surprise, I was good at it. Being told I was good at something while enjoying doing it was a combination previously foreign to me. I guess it was all down hill from there.
Now, as hold the camera in my hands (upgraded from the hammy-down to a DSLR), I feel a feeling that nothing has ever or will ever give me. The rush goes from my toes to my face, then down to my finger tips. I feel the power in my hands and see the composition in front of me. The task is always to capture it, but with the added challenge of capturing it in a way no one else can. To make that person look stunning. To make the colors pop. To ultimately give the future viewer of the picture that same rush that is currently consuming you. It is all up to you, and you are the creator. The photo that will come from one swift click of a button will capture a moment completely unique and not repeatable. That click represents that moment that you alone are responsible for not only maintaining, but enhancing.
If you know this feeling, this warm excitement that doesn't allow you to put the glass down, you're a photographer.
And with that burning inspiration inside me, I am launching my brand, Connor Moriarty Photography. Just looking at this website is giving me that rush, and I cannot wait to embark on my journey of capturing moments. This blog post will hopfully be the first of many to come. I plan to use this website for everything relating to my brand. I will include personal thoughts, recaps of my life within the photography world, tips and tricks for taking quality photos, and much more.
So, help out a new photographer by checking out some of the things I have to offer. Even looking through some of my photos would mean the world to me. All I really want is for people to appreciate my work. So check out my Twitter, Instagram, Flickr, and Facebook page, Connor Moriarty Photography by clicking the icons to the left. Feel free to give a follow.
Thanks all for the support, and join me on my journey through the moments.